Designed for use in complex text environments like dictionaries, academic treatises, annual reports, novels or magazines, the Sirba typeface family possesses a large x-height and generous character width.

Exceptionally readable at small sizes, the Sirba design’s character set encompasses over 50 languages which utilize Latin script. In addition, the Sirba collection of faces provides polytonic Greek capabilities, a full set of IPA symbols, as well as an assortment of arrows, symbols, ligatures and more.

The Cheap Pine collection of faces are a tribute to sans serif wood type designs of the 18th and 19th century – the letterforms are strong, yet have the charming imperfections of weathered movable type. Available as two complementary fonts, the Cheap Pine Sans & Cheap Pine Shadow designs provide capabilities for typographic dimensionality and compelling color combinations.

The Cheap Pine family also provides an expressive collection of arrows, hands, stars and other special glyphs available through OpenType capabilities. Available for desktop licensing, and through the Fonts.com Web Fonts service, HvD Fonts’ Cheap Pine designs are a unique addition to any designers’ typographic arsenal.

DSType’s Mafra Display family is well-suited for both editorial and corporate design work. Available in five weights from light to black (with matching italics), the Mafra design is both contemporary as well as high contrast. Such attributes, paired with the family’s gentle serifs and pleasant openness, provide an assertive – yet elegant – typeface collection.

The Acta typeface family – created by Dino dos Santos for DSType – was originally designed for the Chilean newspaper La Tercera. The Acta Poster designs are the flamboyant, eye-catching complements to the original typefaces; available in three styles and equipped with a robust assortment of elegant ligatures, swashes and alternates, the Acta Poster collection is well-suited for lively display type applications.

The Acta Poster designs – as well as the Acta and Acta Display families – are available for desktop licensing and Web usage through the Fonts.com Web Fonts service.

The King’s Caslon designs from Dalton Maag are a contemporary interpretation of seminal old style design traits. Based on samples found in antique type specimen books, the two King’s Caslon families are suitable for all manner of design and identity projects which require typographic sophistication.

The King’s Caslon Display design has a stately, high contrast style with elegant curves and fine serifs, while the King’s Caslon Text faces provide a quieter character, offering comfortable reading page after page.

The Velino Display designs from DSType are designed for fine text set at large sizes, as well as for headlines or advertising both in print and on screen. High contrast letterforms offer a decidedly modern character, offering plenty of flair; the Velino Display family is available in a wide range of weights from thin to black, each with matching italics.

Type Innovation’s Contax designs comprise a clean, crisp sans-serif typeface family. The generous proportions and geometric character of the letterforms feel modern, but are also imbued with a fresh, slightly quirky charm.

The Contax collection of faces are available in a robust collection of 18 styles, and can be licensed for desktop use, as well as through the Fonts.com Web Fonts service.

Designed by Dino dos Santos, the Penna typeface family is a calligraphic system from DSType. Offering four choices of ascender and descender styles, the Penna designs additionally provide alternate swashes as well as a wide choice of ligatures. Such flexible characteristics characteristics provide a sense of luxury and refinement that is well-suited for the most formal of applications.

The Polygraph type system from Pintassilgo Prints is an eccentric and exceptionally playful display design; inspired by the Polish artist Leszek Zebrowski, the Polygraph family provides four variants for each character in the font, programmed to randomly cycle when used in applications with OpenType support. For less frenetic typesetting, turning off alternates allows for a more sedate, yet still playful appearance.

This unique design is available in two styles, and can be licensed for desktop use, as well as through the Fonts.com Web Fonts service.

Armasen Typefaces is a foundry created by a collective of designers who, when in college, were inspired by the art of typography. Based in Sao Paulo, Brazil, Armasen Typefaces has released designs such as the Caturrita design, and its subsequently modified version, the Caturrita Extra family. A higher-contrast companion face – Caturrita Display (seen above) – is excellently suited for headline applications as well as short text settings.

Offerings from Armasen Typefaces are available for desktop licensing, as well as for Web use through the Fonts.com Web Fonts service.

Founded by Maximiliano Sproviero in 2008, Lián Types is based in Buenos Aires, Argentina. Sproviero is inspired by both gothic blackletter, uncial hands and calligraphic type styles. The Reina type family (above) is a Didone style system, proving a wide array of beautiful and expressive alternates. Swashes and ligatures also add to elegance of the faces.

The Reina collection of typefaces is available in 8 styles and variants, including a font containing sets of common words in English, French, German, Spanish and Italian. An engraved variant of the design asserts a dignified set of ornamental capitals, as well as fleurons perfect for borders and outlines.

The Reina designs are available for desktop licensing, as well as for Web use through the Fonts.com Web Fonts service.

Fonts.com is proud to announce that designs from Mark Simonson Studio are now available through the Fonts.com Web Fonts service! This collection of best selling typefaces not only provides an extraordinary range of finely-crafted designs, but a encompassing breadth of different typographic voices, from neutral and utilitarian typefaces to expressive and charming.

The Mark Simonson Studio collection spans designs from the exhaustive Proxima Nova family – which straddles the gap between classic faces such as the Futura and Akzidenz Grotesk families – to the lively Coquette design, an unconnected script combining elements of traditional French script as well as geometric sans serif styles.

No matter the design application, you’ll surely find a perfect expression of your style in this set of typefaces from Mark Simonson Studio – now available through the Fonts.com Web Fonts service in addition to desktop licensing!